The following [The 2016 Election and the Demise of Journalistic Standards, by Michael Goodwin] is adapted from a speech delivered on April 20, 2017, in Atlanta, Georgia, at a Hillsdale College National Leadership Seminar.
I’ve been a journalist for a long time. Long enough to know that it wasn’t always like this. There was a time not so long ago when journalists were trusted and admired. We were generally seen as trying to report the news in a fair and straightforward manner. Today, all that has changed. For that, we can blame the 2016 election or, more accurately, how some news organizations chose to cover it. Among the many firsts, last year’s election gave us the gobsmacking revelation that most of the mainstream media puts both thumbs on the scale—that most of what you read, watch, and listen to is distorted by intentional bias and hostility. I have never seen anything like it. Not even close.
It’s not exactly breaking news that most journalists lean left. I used to do that myself. I grew up at The New York Times, so I’m familiar with the species. For most of the media, bias grew out of the social revolution of the 1960s and ’70s. Fueled by the civil rights and anti-Vietnam War movements, the media jumped on the anti-authority bandwagon writ large. The deal was sealed with Watergate, when journalism was viewed as more trusted than government—and far more exciting and glamorous. Think Robert Redford in All the President’s Men. Ever since, young people became journalists because they wanted to be the next Woodward and Bernstein, find a Deep Throat, and bring down a president. Of course, most of them only wanted to bring down a Republican president. That’s because liberalism is baked into the journalism cake.
During the years I spent teaching at the Columbia University School of Journalism, I often found myself telling my students that the job of the reporter was “to comfort the afflicted and afflict the comfortable.” I’m not even sure where I first heard that line, but it still captures the way most journalists think about what they do. Translate the first part of that compassionate-sounding idea into the daily decisions about what makes news, and it is easy to fall into the habit of thinking that every person afflicted by something is entitled to help. Or, as liberals like to say, “Government is what we do together.” From there, it’s a short drive to the conclusion that every problem has a government solution.
The rest of that journalistic ethos—“afflict the comfortable”—leads to the knee-jerk support of endless taxation. Somebody has to pay for that government intervention the media loves to demand. In the same vein, and for the same reason, the average reporter will support every conceivable regulation as a way to equalize conditions for the poor. He will also give sympathetic coverage to groups like Occupy Wall Street and Black Lives Matter.
A New Dimension
I knew all of this about the media mindset going into the 2016 presidential campaign. But I was still shocked at what happened. This was not naïve liberalism run amok. This was a whole new approach to politics. No one in modern times had seen anything like it. As with grief, there were several stages. In the beginning, Donald Trump’s candidacy was treated as an outlandish publicity stunt, as though he wasn’t a serious candidate and should be treated as a circus act. But television executives quickly made a surprising discovery: the more they put Trump on the air, the higher their ratings climbed. Ratings are money. So news shows started devoting hours and hours simply to pointing the cameras at Trump and letting them run.
This is Part One of a multi-part series. Keep watch for the next installment!
Michael Goodwin is the chief political columnist for The New York Post. He has a B.A. in English literature from Columbia College and has taught at the Columbia University Graduate School of Journalism. Before joining the Post in 2009, he was the political columnist for The New York Daily News, where he served as executive editor and editorial page editor and led its editorial board to a Pulitzer Prize. Prior to that, he worked for 16 years at The New York Times, beginning as a clerk and rising to City Hall Bureau Chief. He is the co-author of I, Koch and editor of New York Comes Back.
Reprinted by permission from Imprimis, a publication of Hillsdale College.